“42 Up”

Some ten years ago, I watched a documentary film that had a deep impact on how I perceive life. It was entitled “42 Up”. It followed a number of Brits from different regions and social backgrounds every seven years, from the ages of seven to forty-two. I saw them go from being sparkly-eyed kids to awkward teenagers to responsible adults to middle-aged men and women. Some more ordinary than others, some happier, some more successful, some more fulfilled than others.

Seeing the result of this film, spanning over thirty-five years, left me feeling both amazed and sad. What I found in all of them was the inevitable loss of innocence that comes with age and experience. That also went with a loss of ideals in many. And loss of beauty as well. Today, at forty-two, I should watch it again and see how I feel about it. Or better still, I should watch the latest film in Michael Apted’s series that began with “Seven Up!” (1964), which is now “63 Up”. Somewhere along the line, the title lost its exclamation mark… which, incidentally, seems a perfect way to sum up the difference between the ages of seven and sixty-three.

In this COVID-19 crisis, I am fortunate to have a new job that I’m excited about, to have my wide-eyed child by my side, to live in a home and a neighbourhood I love, to be in regular touch with my loving family. But these times of relative isolation have also brought on a new wave of reflection which, combined with the Netflix content I’ve been watching (such as “Marriage Story” or “The Last Dance”) reminds me that life doesn’t turn out the way one expects. Ever. There are unexpected successes, joys, falls and pains. And while love and hope inspire and drive us, suffering and pain play a significant role in shaping us as well. I saw this in “42 Up”, too. There is so much we do – or avoid doing – for fear of being hurt.

(Taken from art by Tijana Djapovic)

Though I don’t believe that we are born as clean slates, I do see us as clay shapes that life hits, carves, moulds over time. Bit by bit, we evolve into complex beings, growing increasingly unique and different from each other, as life adds one texture after another to our initially smooth clay. At middle age, I perceive love and hope in my peers. But none has kept that initial innocence we all used to have. That faith that there will be a “happily ever after”. Because our lives have taught us otherwise. There is no “ever after” as such. There is only happy, then unhappy, then happy again, and so on and so forth. But over time, erosion makes us less affected or moved by unhappiness and happiness alike. Our skin gets thicker, we roll with the punches and we enjoy well-deserved rests after each round.

In this time of contemplation for the whole world, I do appreciate what I have. I also look forward to many more moments of happiness. Even though I know better than to expect what I imagine for myself to come true (in the positive or the negative sense), I do know that joy comes back to me after every struggle. But where am I right now? If I were to do my own “42 Up” recap of my life, it would probably go like this: At age seven, my world was enchanted, almost perfect. At fourteen, it was painful and filled with self-loathing. At twenty-one, it was hopeful and looking to the future. At twenty-eight, it was harsh but glorious. At thirty-five, it was awakened to what adult life is. At forty-two, it is unsettled and I am searching for steady ground.

(Taken from art by Tijana Djapovic)

For three years, I have been feeling like the earth under my feet has been shaking. And, like in a seismic zone, every time it stops, another earthquake rocks the ground I walk upon. And it isn’t easy to build on moving ground. But I have been fortunate enough to join a company built on the concept of constant transformation, flexibility and adaptability. And my travelling companion is a little girl who loves the circus so much, she now excels at finding her balance in any situation like a tightrope walker. What I must now learn from both is not to expect the ground to ever stand still, but rather to function and grow on moving ground. Perhaps by the next seven-year mark, my spirit will be as agile as my daughter’s nimble body.

(Title: Documentary Film directed by Michael Apted)

“The journey, not the arrival, matters”

From our earliest childhood, we learn that results and success matter. Parents applaud their child when (s)he walks, not when (s)he falls. When trying to get into the university of your choice, your hobbies and experiences may matter, but your grades matter more. You hear congratulations when you get married, not every time you start dating someone. You receive cheers when your child is born, not while you are trying to get pregnant. This applies to all areas of our lives. And yet, we are told that it is the journey that matters, not the destination.

So far, I have lived what can most certainly be qualified as a rich, full, diverse life. In so many films, novels and self-help books, we are told that it is always better to dare making mistakes, rather than shying away from a challenge. Over the years, Alfred Lord Tennyson’s famous quote “Tis better to have loved and lost than never to have loved at all” has come up in so many conversations I’ve had. And yet, whether it’s in my professional or my personal life,  life has taught me that living by this rule does not necessarily make you happier, nor is it generally encouraged. It might just makes for a better story to tell at parties.

Art by Tijana Djapovic (c)

Of course, if you are one of few who follow untrodden paths leading to great financial success, you get to share your inspirational journey to fulfilment on Ted Talks. But otherwise, a varied experience is still perceived as a symptom of instability, a lack of commitment. At best, it will be seen as a sign of spontaneity, which is a quality rarely sought by employers or investors. The contradictory messages we receive lead to a general dissatisfaction, whether you follow “the safe path” or go on “the adventurous journey”. I have tried both. I have experienced the nine to five lifestyle, working in a cubicle, going for drinks during happy hour with my colleagues on Thursdays, blending into the crowd and elbowing my way through the rush hour stampede. I have also gone the other way, that of the freelancer, the artist, the entrepreneur. I know what it’s like to completely believe in what you are trying to sell, to be obsessed with it day and night, to be truly proud when it succeeds or to feel like an utter failure when it doesn’t because it is an extension of yourself.

When I talk to friends who have chosen the safe path, the job they neither love nor hate, the house, the reliable and predictable partner, the dog, the expensive holidays with their family, they do seem generally satisfied. But every so often, the subject of their unfulfilled ambitions and their evasive creativity surfaces. They tell me they wish they had dared to do what I’ve done: moving to a new country when the time seemed right, quitting their job when it lacked meaning, ending a relationship when it just wasn’t working anymore, diving into new and uncertain projects when they felt too good to pass up. Everywhere, they receive the same contradictory messages as I do. “Be daring, be creative, live life to the fullest, BUT also be stable, provide for your family, stay on your path, don’t take risks.” And so, while their lives are pleasant enough, they are made to believe that they should be extraordinary, thrilling, out of this world. Which they usually are not.

I wonder: Do we really choose which path to follow in life or does our innate character define which path chooses us? Over the years and decades, I have often started a new job thinking that since the salary was good, the colleagues nice enough and the work conditions very acceptable, this time I’d stay on course and forget about my creative endeavours. I thought dedicating my evenings and weekends to my passions would be sufficient. But it wasn’t. Even when I tried really hard to keep my initial enthusiasm for an office job going, my body would inevitably give up on me. I would end up sick and quit to literally save my skin. And I would return to theatre, film or cultural events, none of which ever allowed me to have the stability I thought I should have.

Art by Tijana Djapovic (c)

Whether we travel through life on the straight highway or the uneven winding road, I get the feeling that we neither really choose our path, nor are we ever completely satisfied with the one we’re on. Regardless of what we are being told, the destination does matter to us as individuals and as a society. How much we earn, whether or not we achieved public recognition, how long our marriage lasts, how many kids we have, whether we own a piece of land, all those things matter. We see them as a reflection of our success in life. But how much we enjoy our work matters too, and what we have seen of the world, whether we have truly good friends, how close we are with our kids, whether we still dance spontaneously past childhood. We do not wear these as badges of honour, but they fill our hearts every day and they give us a sense of pride as human beings.

I don’t think there is an ideal path. And I don’t believe people who tell me they are generally sublimely happy in life. Catching moments or even periods of joy, contentment, pride, wellbeing does exist. But I do not believe it can really last without phases of sadness, regret, bitterness, exhaustion. As a friend recently told me, “we must rejoice in the good times and use them to recharge our energy to last us through the difficult times that follow – but neither the easier nor the harder times are endless”. And trying to find a balance between enjoying the present moment and being focused on your goal is an elusive state of being that I keep trying to catch. Now you see it, now you don’t.

(Title: Book title of Leonard Woolf’s autobiography of the years 1939-69)